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    FILM LAB SERIES LAB LABS NEWS LOAD ALL NEWS Call for Submissions - JSFL Edition 13 is Open for Entries "Windless" to Premiere in Karlovy Vary "Come Closer" Wins Tribeca Viewpoints Award The Third Edition of the Series Lab Launches The JSFL supports story tellers whose voices need to be heard and creates opportunities for a multitude of stories to reach audiences. Since its launch in 2011, The Sam Spiegel International Film Lab has become a leading force in the development of groundbreaking feature films by some of the world’s most promising talents. In December 2021 the Sam Spiegel Series Lab was launched with the aim of creating a bridge between Israeli creators and international audiences. The Sam Spiegel Labs support bold storytellers, who look deeply into the human experience in search for their unique truth. AND IN THE PEOPLE WHO TELL THEM WE BELIEVE IN STORIES LABS TEAM The Jerusalem Sam Spiegel Film School is the leading film school in Israel. It’s on the Hollywood Reporter list of 15 best global film schools for 7 years in a row, and was founded in 1989. The JSFS invests in young filmmakers telling the story of Israeli society with all its facets, placing the School as a hub for the flourishing Israeli cinema. Currently JSFS has 180 students enrolled in two tracks: the full track, a four-year program; and the screenwriting track, a two-year program. The School also runs a preparatory program for Arabic speakers from East Jerusalem, to ensure that this population has a chance to apply and learn at the School. Thus far, Sam Spiegel produces around 30 films a year and its graduates form the backbone of the Israeli cinema and television industry. Among the most prominent alumni are Golden Bear winner Nadav Lapid; “Shtisel” creator Yehonatan Indursky; and award-winning directors Rama Burshtein and Talya Lavie. ABOUT JSFS SCHOOL PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS

  • FILM FAQ | JSFL

    Can a project be submitted after it was rejected in the past? A project may be submitted once more (total of two submissions) after receiving special permission from the JSFL, based on the development of the project between both submissions. In order to receive this permission, the applicant must send the JSFL a description of the major changes the project has undergone since the first submission, up to 2 weeks before the submission deadline. Can a director/writer submit a number of projects in the same year? A director/writer may submit one project per JSFL edition. Can a producer submit a number of projects in the same year? Can more than one be selected in the same edition? A producer may submit two projects. Two projects by the same producer can be selected for the same edition. The website states the submitted project must be the first or second feature film. Can it be the director's third feature and producer’s first/second? The submitted project must be the first or second feature-length narrative film directed by the director/writer. There is no minimum or maximum of films for the producer, although the JSFL does look at producers' experience as part of the feasibility of the project. Can I apply to JSFL if I’m not a graduate of Sam Spiegel Film School? The JSFL is open to graduates of all film schools in Israel and worldwide. Can I apply to JSFL if I’m not a graduate of any film school? Yes, as long as you meet all the criteria as defined in the eligibility section. Does the project have to be an English speaking film? The film can speak any language, but the working script must be in English, as English is the working language of the JSFL. Which of the project team members need to participate at which of the three sessions? The filmmaker and co-writer or co-director, must participate in all three sessions (December/January, March/April & July). The producer must participate in the third session (July) and in one meeting at each of the first two sessions - via zoom. What happens if the project has two screenwriters? Can a second writer take part? The JSFL will cover the expenses of the filmmaker as detailed in JSFL/PARTICIPANTS OBLIGATIONS. A second writer may join the sessions at their own expense, and share the same room assigned to the filmmaker. I'd like to submit an Israeli project. Will I need to translate my submission materials/script during the process? Or can I submit all my materials in Hebrew? Israeli projects are submitted in Hebrew. All the materials, including the script if you are selected to submit a full script, will be reviewed in Hebrew. Having said that, if the Israeli applicant prefers to apply in English, he or she may do so, after receiving a written approval from the Lab's staff. FILM FAQ HOME FILM LAB WHO'S WHO MENTORS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS

  • DECISION MAKERS | JSFL

    LOAD MORE Producer Agnieszka Dziedzic Koi Studios aga.a.dziedzic@gmail.com Director of Acquisitions Alexis Hoffman BAC Films a.hofmann@bacfilms.fr Head of Acquisitions Alfred Deragne Indie Sales aderagne@indiesales.eu Executive Director Anne Laurent-Delage Austrian Films anne.laurent@austrianfilms.com Producer Antonin Svoboda Coop99 welcome@coop99.at International Sales Manager Austin Kennedy Magnolia Pictures akennedy@magpictures.com Artistic Director Ava Cahen Semaine de la Critique a.cahen@semainedelacritique.com Producer Barbara Albert Coop99 barb.albert@web.de Producer Barbara Pichler KGP Filmproduktion pichler@kgp.co.at Partner Berenice Vincent Totem Films berenice@totem-films.com Producer Caroline Daube Royal Pony Film daube@royalponyfilm.com Acquisitions Manager Claudia Solano Match Factory claudia.solano@matchfactory.de Producer Damir Ibrahimovic Deblokada Film Production ​ Producer Dominique Welinski DW Films dwelinski@gmail.com Head of Press and Public Relations Dr. Olga Havenetidis Film Commission Bayern olga.havenetidis@fff-bayern.de Festivals and Markets Emelie Dauptain Austrian Film emilie.dauptain@austrianfilms.com Programmer Evgeny Gusyatinskiy IFFR e.gusyatinskiy@iffr.com Artistic Director, Tribeca Film Festival Frederic Boyer Tribeca Film Festival fboyer@tribecafilmfestival.org Managing Director Gertraude Müller Ernstberger GWFF gme@gwff.de Producer Hannah Janal Bootstrap Film hannahjanal@gmail.com Managing Director Helge Albers Hamburg Film albers@moin-filmfoerderung.de Commissioning Editor, ZDF Holger Stern ZDF Stern.H@zdf.de Producer Hugo Grumbar Embankment Films hg@embankmentfilms.com Director Isaac Zablocki Marlene Meyerson JCC Manhattan izablocki@mmjccm.org Director and Founder Jamie Bialkower Jump Street Films jamie@jumpstreetfilms.com.au Managing Partner Jana Edelbaum Ideal Partners idealpartnersj@mac.com Assistant Manager Jenny Cheng Asian Film Academy jenny.cheng@afa-academy.com CEO Joana Vicente Sundance Film Institute elda_monterroso@sundance.org Executive Director Josie Lin Asian Film Academy josie.lin@afa-academy.com Director Jovan Marjanovic Sarajevo Film Festival joja@sff.ba DECISION MAKERS 2023 HOME FILM LAB WHO'S WHO MENTORS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS

  • FAQ | JSFL

    Can a project be submitted after it was rejected in the past? A project may be submitted once more (total of two submissions) after receiving special permission from the JSFL, based on the development of the project between both submissions. In order to receive this permission, the applicant must send the JSFL a description of the major changes the project has undergone since the first submission, up to 2 weeks before the submission deadline. Can a director/writer submit a number of projects in the same year? A director/writer may submit one project per JSFL edition. Can a producer submit a number of projects in the same year? Can more than one be selected in the same edition? A producer may submit two projects. Two projects by the same producer can be selected for the same edition. The website states the submitted project must be the first or second feature film. Can it be the director's third feature and producer’s first/second? The submitted project must be the first or second feature-length narrative film directed by the director/writer. There is no minimum or maximum of films for the producer, although the JSFL does look at producers' experience as part of the feasibility of the project. Can I apply to JSFL if I’m not a graduate of Sam Spiegel Film School? The JSFL is open to graduates of all film schools in Israel and worldwide. Can I apply to JSFL if I’m not a graduate of any film school? Yes, as long as you meet all the criteria as defined in the eligibility section. Does the project have to be an English speaking film? The film can speak any language, but the working script must be in English, as English is the working language of the JSFL. Which of the project team members need to participate at which of the three sessions? The filmmaker and co-writer or co-director, must participate in all three sessions (December/January, March/April & July). The producer must participate in the third session (July) and in one meeting at each of the first two sessions - via zoom. What happens if the project has two screenwriters? Can a second writer take part? The JSFL will cover the expenses of the filmmaker as detailed in JSFL/PARTICIPANTS OBLIGATIONS. A second writer may join the sessions at their own expense, and share the same room assigned to the filmmaker. I'd like to submit an Israeli project. Will I need to translate my submission materials/script during the process? Or can I submit all my materials in Hebrew? Israeli projects are submitted in Hebrew. All the materials, including the script if you are selected to submit a full script, will be reviewed in Hebrew. Having said that, if the Israeli applicant prefers to apply in English, he or she may do so, after receiving a written approval from the Lab's staff. HOME SERIES LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY ADVISORY BOARD PARTICIPANTS PARTICIPATION APPLICATION RULES & REGULATIONS FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS

  • JURY | JSFL

    Since her beginning in advertising and then film production, Diana Elbaum has produced a vast number of films. Most of them where showcased and awarded in major festivals. Her films cover a large sample of genre and come from all horizons and cultures. Diana set up her first company, Entre Chien et Loup, in 1989. In 2017, Diana Elbaum opened her new company, Beluga Tree, in association with Caviar (War Pony, Sound of Metal, The Rider, Bad Sisters). She produced over 100 features and documentaries with talents such as Chantal Akerman, Mahamat Saleh Haroun, Paul Verhoeven, Adil El Arbi and Bilall Fallah Lisa Azuelos, Raoul Peck, Nabil Ben Yadir, Ari Folman, Yuval Adler, Eran Kolirin and Isold Uggadottir, Julie Bertucelli. In 2023, Diana coproduced un Certain Regard Jury prize, Kamal Lazraq's for LES MEUTES and the Jury Prize of the 80th Venice film Festival Agnieszka Holland's GREEN BORDER. In 2009, she received the European Film academy award for best producer Diana is deeply committed to training the next generation of producers internationally and join the expert and group leader team of EAVE in 2007. Since 2020, Diana is also a group leader for Indaba from the Realness Institute as well as EAVE's Access and Elan programs (Canada). Diana is also Member of the UPFF+ (Producer's union in Belgium) and member of the Oscar Academy, Cesar Academy and Paul Delvaux Academy. Diana Elbaum ​ ​ As co-president and chief operating officer, Steinman oversees the creative and business teams at 30WEST, a diversified entertainment company that includes a studio that finances film and television as well as an investment arm with corporate holdings in the culture and media space. 30WEST film and television projects include I, TONYA, TIGER KING and THE CONTRACTOR as well as the upcoming POWER BALLAD and BIG, BOLD, BEAUTIFUL JOURNEY. Prior to founding 30WEST, Steinman served as Co-President and Chief Operating Officer of Black Bear Pictures. Simultaneously, he was Chief Executive Officer of its Canadian distribution subsidiary, Elevation Pictures, where he built that company’s production services division. Before Black Bear and Elevation, Steinman served as a senior financing and sales agent in CAA’s Film Finance Group for close to a decade. Earlier in his career, Steinman worked as a corporate attorney at the Wall Street firm Simpson Thacher & Bartlett and then became a partner in a New York-based entertainment firm, where he developed his expertise in media law and film finance while representing producers, filmmakers and media companies. Steinman is a graduate of Harvard University, from which he holds both a JD and a BA in English and American Literature. He lives in New York with his wife and three children. Daniel Steinman ​ ​ CEO of the Austrian Film Institute since May 2004. After initially studying history, political science and ethnology at the University of Innsbruck, he obtained a law degree at the University of Vienna. At the end of 1999, Roland Teichmann started to work at the Austrian Federal Economic Chamber as a lawyer in the Industry Department. In 2001, he went on to become general manager of the Association of the Audiovisual and Film Industry, a body representing the interests of the Austrian film and music industry at the Federal Economic Chamber. Later on he was appointed CEO of the Austrian Film Institute. So far, Roland Teichmann has had the following functions (selection): Managing director of the Association of Film Distributors at the Austrian Federal Economic Chamber, member of the board of the Austrian Film Commission, representative for Austria and board member of EFAD (European Film Agency Directors), chairman of the advisory board of the Television Film Fund managed by the Austrian communication regulatory authority RTR and member of the European Film Academy (EFA). Roland Teichmann ​ ​ JURY 2024 PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS 12TH EDITION CATALOGUE 12TH EDITION PARTICIPANTS AND PROJECTS JURY MENTORS LAB FILMS

  • MENTORS | JSFL

    Founding member of the script analysis team of the Creative Europe Producer Training Programme, EAVE, Clare has been with the JSFL since its inception in 2011 and in that context she mentored JSFL films such as The Kindergarten Teacher (Critics Week, Cannes 2014); The Accused (Venice, Toronto 2018); Murina (Camera d’Or, Directors’ Fortnight 2021); Cinema Sabaya (Israel’s Oscar submission 2022). She was Director of the Association of Independent Producers (1978-1980); Director of International Creative Affairs for The Ladd Company (1981-83); Producer of award-winning films - The Dress (1985) BAFTA best short; the feature High Season (1987) San Sebastian, Best Screenplay. A much sought-after consultant to various film funds and many international script workshops. Clare Downs UK Screenwriter and script consultant, Jacques has been an integral part of the Sam Spiegel International Film Lab since its inception in 2011. A graduate of NYU, he has worked with directors such as Bresson and Von Trier. He was involved with the development of award-winning films, many of which premiered at Cannes: A Screaming Man (Jury Prize, 2010 Cannes); Girls of the Sun (Cannes 2018); Raw (Cannes Critics Week 2016). A teacher of writing and directing at La Femis since 1988, Jacques has facilitated many international screenwriting and development workshops. Jacques Akchoti France Thomas Hailer is the Artistic Director of the Nordic Film Days, Lübeck. From 2008 to 2019 he was responsible for the program of the International Competition as Berlinale curator alongside the festival director. He has been working as a dramaturg and script consultant since 1995. As a freelance dramaturg, he supervised, among others, the film adaptation of A.S. Neill‘s classic children‘s book The Green Cloud as well as Bernd Sahling‘s German Film Award-winning feature film The Duds. His current projects include script consulting for Barbara Kronenberg‘s directorial debut Mission Ulja Funk which premiered at the Berlinale 2021. Thomas Hailer Germany Film director, screenwriter, script consultant, Sari born in Cannes, France. In 2008, she founded her own company for script consulting services (Scriptlight.com) and developed her own screenwriting method, which she teaches in professional workshops and master classes. Sari works as an artistic consultant for the Israeli Film Funds and as a mentor in workshops worldwide. She developed and script edited series such as Fauda (seasons 2, 3 and 4), Pillars of Smoke and others. She script edited the films The Cousin and The Testimony, which both took part in the Venice film festival and more. Sari Azoulay Turgeman Israel MENTORS 2024 PITCH TRAINER In 2012, after more than 20 years in distribution, Dominique Welinski founded DW, a production and consulting company. Since then, she curates and produces the Factory program at Director’s Fortnight in Cannes. She has produced or co-produced among others: Sanjeewa Pushpakumara Burning Birds; Alireza Khatami’s Oblivion Verses; Midi Z Road to Mandalay; John Tengrove The Wound; Suba Sivakumaran House of My Fathers and Yona Rozenkier The Dive and The Road to Eilat. DW is currently developing films in Sri Lanka, Israel, India and Greece. The pitch training is in courtesy of the Shuster Polakoff foundation. Dominique Welinski France PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS 12TH EDITION CATALOGUE 12TH EDITION PARTICIPANTS AND PROJECTS JURY MENTORS LAB FILMS GUEST Berlin-based, Israeli -born, seasoned content executive, Stern works across borders and genres, focusing on scripted and non-scripted productions. One of her recent projects “Bros” (Netflix) launched earlier this spring and she has recently completed production of the documentary “Supernova: The Music Festival Massacre” currently airing on multiple channels and platforms around the world. As the founder of Tel-Aviv based yes Studios, Stern created a distribution and development powerhouse delivering premium content for international platforms. Recognized twice as one of Variety Magazine’s “Top 500 Global Media Leaders” she was directly responsible for the global launches of multiple series including : Fauda, Shtisel, The Devil Next Door, The Beauty Queen of Jerusalem etc. In addition, Stern has spearheaded dozens of format adaptations in multiple territories including Your Honor one of the bestselling scripted formats in recent years, As We See It (Amazon, originally On the Spectrum ) , 68 Whiskey (Paramount +) The Good Cop (Netflix) Significant Other (ITV), Tanaav (Fauda India, SonyLiv), Escort Boys ( Amazon/ TF-1) etc. Danna Stern ​ Elad Sonego, Senior Vice President at Paramount and Chief Creative Officer of Paramount’s Tel-Aviv based Ananey Studios. Also a lecturer and studio instructor at the Design Faculties of Shenkar College and the Holon Technological Institute. A Veteran of the Israeli Music Industry, and Veteran of the IDF, Gay, an Activist and a father of two twin boys. Elad specializes in bringing the best of Israeli storytelling to broadcasters and streamers from all around the world, including Paramount+, HBO Max, Netflix, Nickelodeon and others. His unique aesthetic approach and global networking skills has brought together many partnerships that made shows happen. Elad has been and still is working closely with Israel’s most successful and prominent writers. Among them: Noah Stollman, Dafna Levin, Ron Leshem, Amir Mann, Giora Chamizer, Omer Goldman, Shachar Magen and others. Also working on documentaries by Israel’s leading directors. Among them: Iris Zaki, Yossi Bloch, Paz Swartz, Ari Pines and more. Elad Sonego ​ David Levine is the Chief Creative Officer of Anonymous Content, a full-service global studio and representation company. There he shepherds the development and production of all film and television content. Here he has built out Anonymous’ global creative footprint while overseeing Alfonso Cuaron’s Disclaimer and Taika Waititi’s Time Bandits, as well the adaptations of Nickel Boys, Neuromancer and East of Eden coming soon. Before that, he was the Co-Head of Drama, HBO Programming, for Home Box Office, responsible for overseeing the development and production of original drama series such as Sharp Objects, Westworld, True Detective, Game of Thrones, Our Boys, and True Blood. Before HBO, he was vice president of Development and Production at Mandalay Entertainment and served as a producer at Fuse Entertainment. David Levine ​ Producer and screenwriter Joe Peracchio has written for Deception and The Flash. He was a writer and actor for the Emmy nominated Fences on PBS for two seasons and has worked as a writer and producer on over 60 episodes of primetime network TV. He currently serves as Consulting Producer on several drama series in development with Netflix International. Joe is a professor of TV drama writing and screenwriting at USC. Joe Peracchio ​ Craig Emanuel is practicing as an attorney for more than 40 years. Most recently Craig was a partner in Paul Hastings’s Century City office and was previously the chair of the Firm’s Global Entertainment and Media Group. Starting in November 2023, Craig is currently working full time with his client of nearly 30 years, Ryan Murphy ("Nip/Tuck", "Eat, Pray, Love"). Regularly named among the most influential in Hollywood, Craig has been recognized in The Hollywood Reporter’s “Power Lawyers Top 100” list and Variety’s “Dealmakers Impact Report” and “Variety500” list, among other leading publications. He is ranked in Chambers USA in Media & Entertainment, where clients appreciate his “‘great sense of the business and what's happening in the industry’” . Craig Emanuel ​

  • MENTORS | JSFL

    One of Israel’s leading film and television writers. His feature films include “Someone to Run With” and “The Human Resource Manager”, that were featured in numerous international film festivals and won nine Israeli Academy Awards, including Best Film and Best Screenplay. Stollman’s work for television includes the 2009 original mystery series “Pillars of Smoke” which he co-created and wrote. The series became a cult hit in Israel. Noah was co-creator and executive producer of HBO’S 2019 drama “Our Boys” and was head writer for the third and fourth seasons of the Netflix action-drama hit series “Fauda”. Lately, Noah co-created and co-wrote the supernatural suspense drama “The Malevolent Bride”, an Israeli-US collaboration. Noah Stollman Graduate of Tel Aviv University majoring in Psychology and Cinematic Studies (script-writing track). From 2009-2016 she served as a development manager at July August Productions. Nishri worked as script editor for Israeli television series such as “Yellow Peppers” by Keren Margalit (that was made into a BBC series), “Sirens” by Shachar Magen, and “Sleeping Bears” by Keren Margalit. Nishri took part in Biennale College Cinema, TFL extend, EAVE and Torino Film Lab as script consultant. Nishri’s content company, Quiddity, served as associate producer for canal+ tv series “Possessions”, and for Hagai Levi’s series “Scenes from a Marriage” made for HBO. Ossi Nishri Keren Margalit is an award-winning screenwriter and director, and a leading Israeli television creator. A graduate of the Jerusalem Sam Spiegel Film School (1998), her graduation film won Best Script Award at the Munich Student Film Festival. Margalit’s 2002 debut film, All I’ve Got, was purchased by Paramount Pictures for remake. Her first series as director-writer, Yellow Peppers (2010) won the 2011 Israeli Television Academy Award and was purchased for remake in the UK (The A-Word). It was screened at the UN as part of autism awareness day in 2011. Sleeping Bears, her most recent series, premiered at the Berlinale 2018 to rave local and international reviews. Keren Margalit Gal Zaid is a creator, director and actor with over 20 years of experience in Israeli television. As head of scripted television at EndemolShine Israel, Zaid’s role is to develop fresh shows and unique talent into material with global appeal. Previously, Zaid was the head of drama both at Keshet and at Channel 10. He script-edited and starred in the world-renowned series, “Prisoners of War”, which was remade for Showtime as the Emmy Award winning international hit “Homeland”. He developed “Traffic Light”, the most successful comedy series in Israel to this day, which won an International Emmy Award for Best Comedy and was later sold to FOX. Gal Zaid MENTORS 2024 PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME SERIES LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY ADVISORY BOARD PARTICIPANTS PARTICIPATION APPLICATION RULES & REGULATIONS FAQ PAST MENTORS Acclaimed creator and writer of several award-winning drama series and documentaries, including "The Girl from Oslo" for Netflix, the documentary series "Portrait", and Israel's most watched series "A Touch Away”. Weiss-Berkowitz is an experienced book editor, having worked closely with renowned Israeli authors. Weiss-Berkowitz is an active mentor in various programs, such as the Seriesmakers for international film directors transitioning to TV series; International series development workshop at HFF Munich; and the France-Israel residency for co-writing drama. She teaches TV writing at Tel Aviv University and SDSU California. Ronit Weiss-Berkowitz Best-selling Israeli crime writer, screenwriter, and literary scholar, specializing in the history of crime fiction, and head of the creative writing program in Tel Aviv University. His novels were translated into more than 20 languages and won numerous international prizes, including the prestigious Martin Beck award for best crime novel translated to Swedish, and Prix Mystere de la Critique in France. His first novel, “Black Tide” was adapted into film by French director Eric Zonca in 2018, and an eight-episodes TV drama based on his novels was made by Keshet Studios in Israel (“The Missing File”, 2019). In 2017, CBS produced “Wisdom of the Crowd”, an American crime drama based on an original idea by Mishani, who served as executive producer for the show. Dror Mishani Levin is an award-winning director and screenwriter who has worked on numerous TV shows, including the hit Israeli series, In Treatment, that sold to HBO, for which she won two Israeli TV Academy Awards. She wrote and directed the TV drama Three Fingers, nominated for Best TV Drama and she co-created Euphoria which was made into a hit by HBO. Daphna Levin

  • ADVISORY BOARD | JSFL

    International Emmy winning producer & writer (Tehran, Your Honor, Hostages) Alon Aranya Writer/director (Fauda, The Debt, Warrior) Assaf Bernstein Producer In Transit, Founder- YES Studios Danna Stern Founding artistic advisor. TV creator & producer (Scenes from a Marriage, Our Boys, The Affair, In Treatment) Hagai Levi SVP, Development & Productions, Ananey Studios Osnat Saraga ADVISORY BOARD PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME SERIES LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY ADVISORY BOARD PARTICIPANTS PARTICIPATION APPLICATION RULES & REGULATIONS FAQ

  • JURY | JSFL

    Scouting & Fiction Format Acquisition Manager Manon Comas Mediawan VP International Sales & Acquisitions Anaïs de Neergaard Beta Films Commissioning Editor Brigitte Dithard SWR/ARD JURY 2023 PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME SERIES LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY ADVISORY BOARD PARTICIPANTS PARTICIPATION APPLICATION RULES & REGULATIONS FAQ

  • MENTORS | JSFL

    Founding member of the script analysis team of the Creative Europe Producer Training Programme, EAVE, Clare has been with the JSFL since its inception in 2011 and in that context she mentored JSFL films such as The Kindergarten Teacher (Critics Week, Cannes 2014); The Accused (Venice, Toronto 2018); Murina (Camera d’Or, Directors’ Fortnight 2021); Cinema Sabaya (Israel’s Oscar submission 2022). She was Director of the Association of Independent Producers (1978-1980); Director of International Creative Affairs for The Ladd Company (1981-83); Producer of award-winning films - The Dress (1985) BAFTA best short; the feature High Season (1987) San Sebastian, Best Screenplay. A much sought-after consultant to various film funds and many international script workshops. Clare Downs UK Screenwriter and script consultant, Jacques has been an integral part of the Sam Spiegel International Film Lab since its inception in 2011. A graduate of NYU, he has worked with directors such as Bresson and Von Trier. He was involved with the development of award-winning films, many of which premiered at Cannes: A Screaming Man (Jury Prize, 2010 Cannes); Girls of the Sun (Cannes 2018); Raw (Cannes Critics Week 2016). A teacher of writing and directing at La Femis since 1988, Jacques has facilitated many international screenwriting and development workshops. Jacques Akchoti France Thomas Hailer is the Artistic Director of the Nordic Film Days, Lübeck. From 2008 to 2019 he was responsible for the program of the International Competition as Berlinale curator alongside the festival director. He has been working as a dramaturg and script consultant since 1995. As a freelance dramaturg, he supervised, among others, the film adaptation of A.S. Neill‘s classic children‘s book The Green Cloud as well as Bernd Sahling‘s German Film Award-winning feature film The Duds. His current projects include script consulting for Barbara Kronenberg‘s directorial debut Mission Ulja Funk which premiered at the Berlinale 2021. Thomas Hailer Germany Film director, screenwriter, script consultant, Sari born in Cannes, France. In 2008, she founded her own company for script consulting services (Scriptlight.com) and developed her own screenwriting method, which she teaches in professional workshops and master classes. Sari works as an artistic consultant for the Israeli Film Funds and as a mentor in workshops worldwide. She developed and script edited series such as Fauda (seasons 2, 3 and 4), Pillars of Smoke and others. She script edited the films The Cousin and The Testimony, which both took part in the Venice film festival and more. Sari Azoulay Turgeman Israel MENTORS 2024 HOME FILM LAB WHO'S WHO MENTORS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS PAST MENTORS Chief Content Officer at Beta Film GmbH, Koby has more than 17 years of experience in television and film. A graduate of the Sam Spiegel Film and Television School, Koby was previously chief content officer at YES, Israel’s leading satellite and OTT platform. Under his tenure, his credits included Fauda; Your Honour; On the Spectrum; Magpie; The Good Cop and Just for Today. Koby Gal-Raday Israel Avi Nesher's acclaimed films have played a major part in Israeli cinema's success and rise to international prominence. His films have netted multiple Israeli Academy Award wins and over two dozen nominations. Among his best-known features are Turn Left at the End of the World; The Troupe, which has become a cult classic; and Rage & Glory. His latest film is the 2023 feature The Monkey House. Nesher was awarded the Cinematic Excellence Award at the Haifa Film Festival; the Outstanding Achievement Award at the Jerusalem Film Festival and a star on the Avenue of the Stars. Avi Nesher Israel Eran Riklis is one of Israel's most acclaimed film makers and has been working as director, writer and producer for over thirty years. Among his best-known features are Lemon Tree; The Syrian Bride and Dancing Arabs. Riklis is a graduate of the National Film & TV School in Beaconsfield, England and also studied at the film department of the Tel Aviv University. Eran Riklis Israel Hagai Levi is a writer, director and producer who, among others, wrote and directed the adaptation of Scenes from a Marriage for HBO, in 2015 Levi won the Golden Globe award for best drama series as the co-creator and co-producer of the series The Affair (Showtime, 2014); he co-created, co-directed and co-produced the HBO series Our Boys which won the Israeli academy award for best series. In 2005, Levi created, co-produced and co-directed the Israeli TV series BiTipul, later adapted to the HBO's series In Treatment (2007-2010). Hagai Levi Israel Gino Ventriglia is a script consultant for cinema and television production companies. He was the recipient of a Fulbright Fellowship and achieved a double Master of Fine Arts in Directing and Screenwriting at USC. He has written for both screen and television and has been a tutor with the Torino Film Lab Writers’ Room (Transmedia Projects) and with the Biennale College Cinema, Cinema Festival of Venice. Gino Ventriglia Italy

  • PROFESSIONAL GUESTS | JSFL

    Agathe Berman Berman, a.k.a the Pitchologist is a pitch expert/producer/writer/teacher/artistic consultant. She trains and curates international film industry PITCHING SESSIONS - SeriesMania Co Production forum, Unifrance TV events, Transylvania Pitch Stop, TorinoFilmLab, Haifa FilmFestival, MIA Rome, CineVentana Sur Madrid, BalkanFilm Market, Odessa FilmFestival & pitching workshops - Eureka SeriesMania Institute, MidPoint, Series classes in La Femis, Paris, Torino Series Lab. She has produced over 60 films as a partner of Paris-based Films d'Ici. Her credits include award-winning productions directed by talents such as Cédric Klapisch, Richard Copans, Louise Hémon, Gilles Bannier and Christophe Honoré. Since 2018, with her company – AgatheBermanStudio – she has been developing her “pitchology” expertise, along with mixed-media projects. Trained in Polygram Fastlane Media Program (London, Los Angeles), mastered in linguistics, cinema & media (Paris Sorbonne). AC Coppens Coppens is a strategist, conference curator, speaker and the founder of THE CATALYSTS, a Berlin-based boutique agency for innovative and creative players working at the intersection of Digital Technologies and Film, Immersive Media, Music, Sound and the Arts. They advise and mentor teams on strategic planning, business & audience development. The multi-disciplinary agency is also investigating new developments across emerging tech, arts and culture, and designs programs to turn conferences into sites of knowledge exchange and co-creation. Arnaud Louvet Louvet is a French screenwriter, story editor and producer based in Florence, Italy. After 10 years of experience as Commissioning Editor at ARTE Drama Departement, he started working as free-lance screenwriter and independent producer. Notable titles include Io Sono Li”winner of the Lux Prize for Best European Film 2012, the mini-series “Virage Nord” winner of the Best Series prize at the Festival de la Fiction La Rochelle 2014. Within the Series Mania Institute and the Cinefondation Cannes IFF, Arnaud is also actively supporting the training of the next generation of film and TV talent. Joe Peracchio Producer and screenwriter Joe Peracchio has written for Deception and The Flash. He was a writer and actor for the Emmy nominated Fences on PBS for two seasons and has worked as a writer and producer on over 60 episodes of primetime network TV. He currently serves as Consulting Producer on several drama series in development with Netflix International. Joe is a professor of TV drama writing and screenwriting at USC. Hagai Levi Hagai Levi is a writer, director and producer who, among others, wrote and directed the adaptation of Scenes from a Marriage for HBO, in 2015 Levi won the Golden Globe award for best drama series as the co-creator and co-producer of the series The Affair (Showtime, 2014); he co-created, co-directed and co-produced the HBO series Our Boys which won the Israeli academy award for best series. In 2005, Levi created, co-produced and co-directed the Israeli TV series BiTipul, later adapted to the HBO's series In Treatment (2007-2010). Dr. Michal Ben David Dr. Michal Ben-David is a creative leadership consultant and lecturer. Prior to her current roles, Michal had a successful career in the Israeli TV entertainment industry spanning 25 years. Michal holds a PhD in Culture, Media, and Creative Industries from King's College London and an MBA from the Berlin School of Creative Leadership. She specializes in the creative process and in Generative AI storytelling. Daphna Levin Levin is an award-winning director and screenwriter who has worked on numerous TV shows, including the hit Israeli series, In Treatment, that sold to HBO, for which she won two Israeli TV Academy Awards. She wrote and directed the TV drama Three Fingers, nominated for Best TV Drama and she co-created Euphoria which was made into a hit by HBO. PROFESSIONAL GUESTS 2023 PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS HOME SERIES LAB WHO'S WHO MENTORS PROFESSIONAL GUESTS JURY ADVISORY BOARD PARTICIPANTS PARTICIPATION APPLICATION RULES & REGULATIONS FAQ

  • JURY | JSFL

    Since 2004 Kirsten Niehuus has been the CEO of Medienboard Berlin-Brandenburg, Germany’s Capital Region. Since then she has been responsible for Film and High-end TV funding. As a lawyer she has been engaged in entertainment and funding law since 1991. Previous posts include Deputy Head of National Film Fund, Vice President of Eurimages, head of private and public legal departments. She has served as a board member of several institutions from public broadcaster to film schools. As an Honorary Professor she teaches Film Financing at Film University Babelsberg and other filmschools. She is bearer of the French order Chevalier of Arts and Literature. Kirsten Niehuus, Head of Jury CEO, Medienboard Berlin-Brandenburg GmbH Germany Paris based Frédéric Boyer is the Artistic Director of the Tribeca Film Festival, of the Les Arcs European Film Festival since 2009 and of the Reykjavik International Film Festival since 2020. Prior to that he was the Artistic Director and programmer for the Directors’ Fortnight at Cannes Festival. Boyer’s infatuation with cinema began when he frequented the Cinematheque Française in his youth. He attended the master classes of critics of French New Wave cinema at the Universities of La Sorbonne and Censier. He was on the jury of many festivals including Sarajevo, Karlovy Vary, Thessaloniki, Seattle, Busan, CPH:Dox, Munich, Reyjkavik, Cluj. Frederic Boyer Artistic Director, Tribeca Film Festival USA/France Mehret Mandefro is an Emmy-nominated and award-winning producer and writer who champions the creative arts as a path to developing a more just society. Her track record in both using narrative to shift culture and scaling media businesses secured her a spot on Variety’s list of most impactful women in global entertainment. Mehret co-founded the independent production company Truth Aid Media in the USA, A51 Pictures in Ethiopia, the Realness Institute in South Africa, and was formerly Executive Producer of Kana Television in Ethiopia, which was subsequently acquired by Canal+. Her latest media venture, TBTM Studios, is headquartered in Dubai and has a slate of projects across documentary and scripted, featuring Africa’s leading voices. Mehret’s credits include the Sundance and Berlinale Audience Award winner Difret,the New York Times Critic’s Pick Little White Lie and showrunner of Ethiopia’s first-ever teen drama series Yegna. She also executive produced the American Masters feature documentary film How It Feels To Be Free and feature narrative film Sweetness in the Belly, both on Amazon Prime. A member of the Academy of Motion Pictures Arts and Sciences, Mehret is a sought-after speaker and has a widely watched TED talk about the impact of the creative industry on economic growth in Africa. Mehret Mandefro Producer and Writer, Realness Institute USA Juliette Schrameck joined the Paris-based collective of producers Agat Films-Ex Nihilo in September 2020. She develops international coproductions (by Joachim Trier, Laszlo Nemes, Laila Marrakchi, Fien Troch, Lukas Dhont…) as well as French films, by Caroline Poggi and Jonathan Vinel and Corneliu Porumboiu amongst others. She was until 2020 the Managing Director of mk2 Films, where she initiated the collaboration with Justine Triet, Céline Sciamma, Ryusuke Hamaguchi, Mati Diop, Naomi Kawase or Corneliu Porumboiu. The films she coproduced at mk2 were The Worst Person in the World by Joachim Trier (Best Actress Prize – Cannes 2021), Cold War by Pawel Pawlikowski (Best Director Prize – Cannes 2018), Ash Is Purest White by Jia Zhang Ke (Competition – Cannes 2018) and Mountains May Depart by Jia Zhang Ke (Competition-Cannes 2015). Juliette Schrameck Producer, Agat Films – Ex Nihilo France Holger Stern works as commissioning editor for the German - French public broadcasting corporation ARTE. He oversees acquisitions and co-productions supported by the ZDF/ ARTE cinema department and works with ZDF’s “Das Kleine Fernsehspiel” on international debut films. He was the commissioning editor on several ZDF/ ARTE co-productions, such as: “Fallen Leaves” by Aki Kaurismäki, “Club Zero” by Jessica Hausner”, “Triangle of Sadness” by Ruben Östlund, “Holy Spider” by Ali Abbasi, “Quo vadis, Aida?” by Jasmila Zbanic, “Las Herederas” by Marcelo Martinessi, “Memoria”, “Cemetery of Splendour” and “Uncle Boonmee, who can recall his past lives” (all three by Apichatpong Weerasethakul); “Il Buco” and “Le Quattro Volte” (both by Michelangelo Frammartino); “Women without Men” (by Shirin Neshat); “Gigante” (by Adrian Biniéz), and many others. He has been ZDF’s representative at the “Drehbuchwerkstatt” – the screenplay lab of the Munich Film school - and helped to develop the award-winning screenplay “Endzeit” by Olivia Vieweg in the realm of this assignment. Prior to his employment at ZDF/ ARTE he worked for the independent German film production and distribution company Kinowelt, directed several documentaries for German TV stations and published articles on a variety of film-related subjects. He received his degree in Berlin after having studied at the LMU Munich, the FU Berlin and the Université Paris III. Holger Stern Commissioning Editor, ZDF Germany Businesswoman, entrepreneur, founder and executive VP of the Irani group (FACTORY 54), the leading luxury fashion group in Israel, Irani has led the way in partnering and supporting young artists in Israel. A graduate of Tel Aviv University, Irani joined the group in 2010. She enhanced the group’s sustainable and ethical responsibilities and champions the role that fashion plays in society. Ifat Irani Owner and co CEO Irani Corp Israel Osnat Handelsman Keren produces multiple award-winning films and TV series around the world with her producing partner at PIE FILMS Talia Kleinhendler. Working with leading Talent Pie Films productions have premiered in all major film festivals and have been distributed worldwide. Among her productions are Maggie Gyllenhaal’s Oscar Nominated directorial debut “THE LOST DAUGHTER”, "MY HAPPY ENDING" starring Andie MacDowell, Nadav Lapid's Cannes Jury prize winner "AHED'S KNEE" and Golden Bear winner "SYNONYMS" and Hit Israeli TV series "THE WOMEN'S BALCONY" based on the box office hit film by the same name which PIE FILMS produced. Osnat Handelsman Keren Producer, Pie Film Israel JURY 2023 HOME FILM LAB WHO'S WHO MENTORS JURY SCOUTS AND PITCHING DECISION MAKERS PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION RULES & REGULATIONS FILM FAQ PARTICIPATION APPLICATION RULES & REGULATIONS PARTICIPANTS OBLIGATIONS PARTICIPATION REGULATION SERIES LAB PARTICIPANTS MENTORS PROFESSIONAL GUESTS JURY PARTICIPATION APPLICATION RULES & REGULATIONS FAQ SERIES LAB FILM LAB MENTORS JURY DECISION MAKERS SCOUTS AND PITCHING PARTICIPANTS & PROJECTS LAB FILMS PARTICIPATION APPLICATION PARTICIPANTS OBLIGATIONS RULES & REGULATIONS FILM FAQ FILM LAB HOME TEAM NEWS LABS

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